{"id":175,"date":"2021-10-27T10:13:15","date_gmt":"2021-10-27T10:13:15","guid":{"rendered":"https:\/\/dum-club.si\/?p=175"},"modified":"2025-04-05T21:28:03","modified_gmt":"2025-04-05T21:28:03","slug":"red-shoes-red-october","status":"publish","type":"post","link":"https:\/\/dum-club.si\/?p=175","title":{"rendered":"Rde\u010di \u010develjci \/  Rde\u010di Oktober, 2021"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"Red Shoes (dance \/ video excerpt -5 min)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/JzHfqX2xz-w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Ideja \/ koreografija: Mateja Bu\u010dar<br \/>\nideja \/ vizualna podoba: Vadim Fi\u0161kin<br \/>\nGib\/ples\/soustvarjanje: Kristina Aleksova, Katja Legin, Tina Valentan<br \/>\nzvok, glasba:\u00a0 S.Kurjohin,\u00a0 F. Chopin,\u00a0 J. S. Bach, B. Savski,&#8230;<br \/>\ntehnologija: Zavod ZET,\u00a0 Borut Savski<br \/>\ntekst: Pia Brezav\u0161\u010dek<br \/>\nprodukcija: DUM-dru\u0161tvo umetnikov,<br \/>\nkoprodukcija: Kino \u0160i\u0161ka, Lutkovno gledali\u0161\u010de Ljubljana<br \/>\nProjekt podpirajo: Mestna ob\u010dina Ljubljana Oddelek za Kulturo, Ministrstvo za kulturo RS,<br \/>\nhvala: Ale\u0161i Vali\u010d, Zavodu ZET, Katarina Bogataj<\/p>\n<p><\/lang_en><lang_si><\/p>\n<p><iframe loading=\"lazy\" title=\"Red October \/ Kino \u0160i\u0161ka, Ljubljana , 2021 (dance \/ video excerpt -1 min)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/mqKpTZIVEqw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><\/lang_en><lang_si><\/p>\n\n\t\t<br class=\"clearboth\"><div id='gallery-1' class='gallery galleryid-175 gallery-columns-3 gallery-size-thumbnail grid'><div class='gallery-item grid-item'><div class='gallery-icon' data-mediaid='180'><a href='https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-72-scaled.jpg' rel=\"lightbox[gallery-0]\"  class=\"lightbox-link\"><img loading=\"lazy\" decoding=\"async\" width=\"190\" height=\"190\" src=\"https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-72-256x256.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a><\/div><\/div><div class='gallery-item grid-item'><div class='gallery-icon' data-mediaid='182'><a href='https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-68-scaled.jpg' rel=\"lightbox[gallery-0]\"  class=\"lightbox-link\"><img loading=\"lazy\" decoding=\"async\" width=\"190\" height=\"190\" src=\"https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-68-256x256.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a><\/div><\/div><div class='gallery-item grid-item'><div class='gallery-icon' data-mediaid='183'><a href='https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-61-scaled.jpg' rel=\"lightbox[gallery-0]\"  class=\"lightbox-link\"><img loading=\"lazy\" decoding=\"async\" width=\"190\" height=\"190\" src=\"https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-61-256x256.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a><\/div><\/div><div class='gallery-item grid-item'><div class='gallery-icon' data-mediaid='184'><a href='https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-58-scaled.jpg' rel=\"lightbox[gallery-0]\"  class=\"lightbox-link\"><img loading=\"lazy\" decoding=\"async\" width=\"190\" height=\"190\" src=\"https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-58-256x256.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a><\/div><\/div><div class='gallery-item grid-item'><div class='gallery-icon' data-mediaid='186'><a href='https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-48-scaled.jpg' rel=\"lightbox[gallery-0]\"  class=\"lightbox-link\"><img loading=\"lazy\" decoding=\"async\" width=\"190\" height=\"190\" src=\"https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-48-256x256.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a><\/div><\/div><div class='gallery-item grid-item'><div class='gallery-icon' data-mediaid='187'><a href='https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-46-scaled.jpg' rel=\"lightbox[gallery-0]\"  class=\"lightbox-link\"><img loading=\"lazy\" decoding=\"async\" width=\"190\" height=\"190\" src=\"https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-46-256x256.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a><\/div><\/div><div class='gallery-item grid-item'><div class='gallery-icon' data-mediaid='188'><a href='https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-27-scaled.jpg' rel=\"lightbox[gallery-0]\"  class=\"lightbox-link\"><img loading=\"lazy\" decoding=\"async\" width=\"190\" height=\"190\" src=\"https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-27-256x256.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a><\/div><\/div><div class='gallery-item grid-item'><div class='gallery-icon' data-mediaid='189'><a href='https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-8-scaled.jpg' rel=\"lightbox[gallery-0]\"  class=\"lightbox-link\"><img loading=\"lazy\" decoding=\"async\" width=\"190\" height=\"190\" src=\"https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-8-256x256.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a><\/div><\/div><div class='gallery-item grid-item'><div class='gallery-icon' data-mediaid='190'><a href='https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-2-scaled.jpg' rel=\"lightbox[gallery-0]\"  class=\"lightbox-link\"><img loading=\"lazy\" decoding=\"async\" width=\"190\" height=\"190\" src=\"https:\/\/dum-club.si\/wp-content\/uploads\/2021\/10\/jakaVarmuz_2021_LGL_RDECIceveljci-2-256x256.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a><\/div><\/div><br style='clear: both;' \/><\/div>\n\n<p><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Pia Brezav\u0161\u010dek<\/span><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">PLESATI HO\u010cEM<\/span><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Od kod pride ples? Je res, da obstajajo \u010develjci, ki kar sami ple\u0161ejo? Se z njimi izra\u017eamo mi ali se morda oni izra\u017eajo z nami? Ples lahko izra\u017ea oblike, naloge, probleme, \u017eelje, ideje. Ni samo izraz, je tudi odnos, ki se prek plesa ustvarja: \u00bbBi vas smel prositi za ples?\u00ab A ne ple\u0161e samo Pepelka s princem, ple\u0161e tudi otrok s svojo igra\u010do, in ko topota po tleh, ple\u0161e s tlemi, tudi ko pade. Gib in ples sta igra s svetom, s silo te\u017ee, oblikami in trdotami stvari, ter odnosi med ljudmi.<\/span><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Rde\u010di \u010develjci se zdijo kot nala\u0161\u010d za ples. Z njimi je vse la\u017eje, saj je videti, da ple\u0161ejo sami, zato jih vsak mali plesalec bojda \u00bbnujno\u00ab potrebuje. Tudi mami pravi, da la\u017ee te\u010de v novih super \u0161portnih copatih, in zdi se ji, da je lepa samo v salonarjih. Ima jih \u017ee toliko, da se sploh ne da zapreti omare! V\u010dasih tako mo\u010dno verjamemo, da smo se spremenili, ker smo stopili v \u010devlje nekoga drugega, da nas to resni\u010dno spremeni \u2013 hodimo, izgledamo, se gibljemo, ple\u0161emo druga\u010de; Kdo sem jaz, si ti, ki se nenehno spreminjava, ko sre\u010dujeva predmete in ljudi? Nekateri so nama zanimivej\u0161i kot drugi, z nekaterimi stopava v magi\u010dni ples, iz katerega ne izstopava ve\u010d enaka. <\/span><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">V\u010dasih pa nas nekatere stvari lahko pretirano prevzamejo, zapelje nas njihov blesk. \u017delja odple\u0161e po svoje, kot da ne bi imeli ve\u010d nadzora, podobno kot rde\u010di \u010develjci odnesejo deklico Karen v tisti malce stra\u0161ni Andersenovi pravljici.<\/span><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">A kakor se rde\u010di \u010develjci odlo\u010dijo za\u010darati tistega, ki jih nosi, imajo prav lahko tudi tako nenavadno mo\u010d kot Dorotejini \u010darobni svetle\u010di se rde\u010di \u010develj\u010dki iz filma \u010carovnik iz Oza, ki jo branijo pred hudobno \u010darovnico in so zanjo tisti magi\u010dni pripomo\u010dek, ki jo ob trikratnem trku s petami ponese tja, kamor si \u017eeli. Ne da bi se zavedala, svoj dom v Kansasu dobesedno vedno \u017ee nosi s seboj, kar na nogah, saj si lasti to, kar ima voljo in mo\u010d \u2013 da jo kadarkoli ponese domov. <\/span><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Danes \u017eivimo hitro in vsak dan imamo stik z ogromno ljudmi, stvarmi. Z mnogo novimi zunanjimi ali s \u010disto nepomembnimi vtisi moramo prav vsak dan plesati. To ni lahko, pogosto ne vemo ve\u010d, kaj je pomembno in kaj ni. A zato ne nehajmo plesati! Raje si pomagajmo tako, da ple\u0161imo \u017eivljenja skupaj s tistimi, ki jim zaupamo. Kar pogumno, obujmo rde\u010de \u010develjce!<\/span><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"color: #000000;\">\u2026<span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: small;\">RDE\u010cA \u017dELJA<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Kaj je tisto, kar nas animira, kaj je povod za gibanje, kaj nas obra\u010da in ple\u0161e? <\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Vsako ple\u0161o\u010de telo ima specifi\u010dno materialnost, svojo \u00bbzunanjost\u00ab. Med telesi in med drugimi fizi\u010dnimi predmeti prihaja do trkov in interakcij, ki so ali niso plod njihove volje, nastajajo iz hotenja ali refleksa, iz \u017eelje ali nuje. Gibe koordiniramo vede in nevede, ko so v funkciji neke dejavnosti in v interakciji z materialnim svetom. Ko se usedemo na stol, na\u0161e telo koreografira njegova oblika.<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Kar nas giblje kot nekak\u0161en gon, se lahko preseli v posamezne \u2013 od nas lo\u010dene objekte, kot denimo v precej morbidni Andersenovi pravljici, v rde\u010de \u010develjce, ko v za\u010darano obuvalo obute noge deklice podivjajo in deklico prisilijo, da ple\u0161e kot v nekak\u0161ni plesni maniji, kakr\u0161ne so bile dejansko zabele\u017eene v srednjem veku. Rde\u010de \u010develjce ima tudi Doroteja iz filma \u010carovnik iz Oza, zanjo pa so tisti magi\u010dni pripomo\u010dek, ki jo ob trikratnem trku s petami ponese to\u010dno tja, kamor \u017eeli. Z za\u010detkom 20. stoletja je nastal skladen osredi\u0161\u010den gib in osamosvojen ples, izhajajo\u010d iz v sebi zaklju\u010denega, neponovljivega sebstva, katerega izvor je Isadora Duncan (tedaj pionirka sodobnosti v plesu) na\u0161la v \u00bbsolarnem pleksusu\u00ab, v sredi\u0161\u010du telesa, nekje med rebri: \u00bbSolarni pleksus\u00ab, ta rde\u010de \u017eare\u010di izvor, se je v raziskovanju vseh dimenzij gibanja preme\u0161\u010dal po vsem telesu in se v\u010dasih umestil celo zunaj telesa, v predmete in naklju\u010dja. Ni tudi naklju\u010dje, da je ta isti \u010das tudi \u010das intenzivnega raziskovanja \u010dlove\u0161ke psihe in \u010das, ko je Sigmund Freud razvil psihoanaliti\u010dno teorijo in na neki na\u010din tudi lociral na\u0161e gibalo: gon. Ta je inhibirano prisoten v vseh medosebnih odnosih in vztraja v razmerju z egom. Jacques Lacan je kasneje to strnil v formulo \u00bb\u017eelja je \u017eelja Drugega.\u00ab \u017delja, ki je zmuzljiva.<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">Kaj se zgodi, ko se rde\u010di \u010devlji za\u010dnejo mno\u017eiti in dobijo lasten um in ne vedno predvidljivo voljo, ki spreminja hitrost in smer, ki predruga\u010di telesa in splo\u0161\u010di polje. Razvoj umetne inteligence in druga dognanja so nas pripeljala do nuje upo\u0161tevanja ne\u010dlove\u0161kih bitij kot agentov, to pa nas je v na\u0161ih akcijah razsredi\u0161\u010dilo.<\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"> Mejo med manipulacijo in svobodnim dejanjem je skozi mre\u017ee dele\u017enikov te\u017eko detektirati in rekonstruirati. Kdo ali kaj vzgiba koga ali kaj? Zdi se, da je gibalo v poznem kapitalizmu shizofreno podivjalo \u2013 ne le, da ni osredi\u0161\u010deno, je razdrobljeno, izmikajo\u010de, kopi\u010di se in sili v nenehno iskanje novega objekta. Srka energijo in iz\u010drpava.<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">In kako je mogo\u010de zaobrniti to abotnost? Kdo je kapitan podmornice Rde\u010di oktober in \u00bbza koga\u00ab dela? Kako ponovno nasi\u010diti vso to razpr\u0161enost stvari s smislom, kako priklicati nazaj zagon? Kako \u017eeljo obarvati bolj &#8211; rde\u010de? Deleuze in Guattari v Anti-Ojdipu pravita: \u00bbTeza shizo-analize je enostavna: \u017eelja je stroj, sinteza strojev, strojno razporejanje \u2013 \u017eele\u010di stroji. \u017delja je iz reda produkcije; vsa produkcija je \u017eele\u010da produkcija in hkrati tudi dru\u017ebena produkcija.\u00ab Dogodek Rde\u010di oktober nam omogo\u010di, da vstopimo v drobovino \u017eele\u010dega stroja. Vsi se nenehno sklapljamo v \u017eele\u010de stroje \u2013 z ljudmi, neljudmi, predmeti, boti, kodami, ob\u010dutki. Morda bo ponovno ravno oktober tisti revolucionarni mesec, ko se bo vse \u2013 poklopilo (ujelo).\u00a0<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ideja \/ koreografija: Mateja Bu\u010dar ideja \/ vizualna podoba: Vadim Fi\u0161kin Gib\/ples\/soustvarjanje: Kristina Aleksova, Katja Legin, Tina Valentan zvok, glasba:\u00a0 S.Kurjohin,\u00a0 F. Chopin,\u00a0 J. S. Bach, B. Savski,&#8230; tehnologija: Zavod ZET,\u00a0 Borut Savski tekst: Pia Brezav\u0161\u010dek produkcija: DUM-dru\u0161tvo umetnikov, koprodukcija: Kino \u0160i\u0161ka, Lutkovno gledali\u0161\u010de Ljubljana Projekt podpirajo: Mestna ob\u010dina Ljubljana Oddelek za Kulturo, Ministrstvo za [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":188,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,26,10,4],"tags":[17,13,12,15],"class_list":["post-175","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-home-slider","category-mateja-bucar","category-performance","tag-katja-legin","tag-kristinaaleksova","tag-matejabucar","tag-vadimfishkin"],"_links":{"self":[{"href":"https:\/\/dum-club.si\/index.php?rest_route=\/wp\/v2\/posts\/175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dum-club.si\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dum-club.si\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dum-club.si\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dum-club.si\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=175"}],"version-history":[{"count":11,"href":"https:\/\/dum-club.si\/index.php?rest_route=\/wp\/v2\/posts\/175\/revisions"}],"predecessor-version":[{"id":1056,"href":"https:\/\/dum-club.si\/index.php?rest_route=\/wp\/v2\/posts\/175\/revisions\/1056"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dum-club.si\/index.php?rest_route=\/wp\/v2\/media\/188"}],"wp:attachment":[{"href":"https:\/\/dum-club.si\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dum-club.si\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dum-club.si\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}